Reviews
An interesting thought may not necessarily translate into an interesting screenplay. AA DEKHEN ZARA is a prime example of this statement.
Think about it... A man inherits his grandfather's camera and with the camera comes the ability to see the future. What an idea, Sirji... But AA DEKHEN ZARA is akin to a bottle of soda, which starts off with a lot of energy, but the fizz settles down faster than expected.
AA DEKHEN ZARA had great potential to be a riveting thriller, but halfway through the film, you realize that the writers have run out of ideas. In fact, by the time the film reaches the finale, the viewer is terribly confused [like the writers of this film]. This is one jigsaw puzzle that remains unsolved even after its culmination.
In a nutshell, AA DEKHEN ZARA promises the moon, but what you eventually get in return is merely a mirage.
Ray [Neil Nitin Mukesh], a struggling photographer, has nothing going for him... until he inherits a very special camera from his
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